The Bruguier family’s Swiss singing-bird boxes concealed a performance beneath a painted landscape. Bellows supplied the voice and shaped metal controlled the movements; behind the familiar maker’s name were two Charleses, a son-in-law and a woman who pinned musical cylinders.
James Glaisher arranged a laboratory across a balloon basket. On 5 September 1862, his instruments and his body began to fail at different speeds. Henry Coxwell had to bring them down—and the famous seven-mile height had to be worked out afterwards.
Guillaume Le Gentil knew Manila had good observing weather. He left anyway. His voyage account explains the choice that took him to a ruined palace in Pondicherry for the transit of Venus—and records the observation made by the friend he left behind.
Mary Kingsley’s 1895 fish collection had to survive bargaining, a shortage of alcohol and the Ogooué rapids. Three specimens from Kondo-Kondo eventually reached a London museum, where an adult and two young fish helped Albert Günther distinguish a new species.
Jeanne Baret carried plant folders through the Strait of Magellan and kept working after Bougainville’s ships moved on. A Mauritian specimen and an abandoned botanical name help trace the labour behind a collection credited to Philibert Commerson.
Mary Anning had a strange skeleton to sell and two wealthy customers to consider. Her letter from Lyme Regis reveals the judgement behind a price, before the fossil became a scientific sensation and a museum specimen.
Sometimes a story leads to an object you can hold. We explore authentic instruments and curiosities with a meaningful connection to the people, periods and ideas we write about.