A historical Breguet marine chronometer in a wooden case with a brass suspension
← All worldsWorld 06 · 1750–1920

The Workshop

Gears, measuring tools, cameras and precision mechanisms. A closer look at the craftsmanship behind a good idea.

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Stories from this world.

10 stories
Workers bending and clamping wooden parts in Thonet's Bistritz workshop

Making Room for a Chair

Michael Thonet's No. 14 could travel as separate wooden curves and become a chair near its buyer. Getting there meant changing the wood, the tools and the people doing the work.

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An open safety pin above a closed one

A Place for the Point

The sharp end had work to do. Walter Hunt’s 1849 dress pin gave it somewhere to go afterwards, using the same wire to pierce, spring and fasten.

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An engraved portrait of Nicolas-Jacques Conté

The Same Recipe

Nicolas-Jacques Conté made pencils from graphite and clay. His successor faced another problem: keeping their quality when the raw material changed.

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Willard seated on a low bicycle while three men steady it

Starting Without a Helper

Chain gearing and pneumatic tyres had brought cycling within reach of new riders. Frances Willard, learning at fifty-three, found that a safety bicycle still left something to master.

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A black Sholes & Glidden typewriter with gold floral decoration, round keys and a paper roller above the mechanism

The Machine Was Done Again

Charles Weller tried to use Sholes's experimental typewriter for paid work. Between jammed letters and handwritten transcripts came a succession of promises that the machine was finally ready.

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Painted portrait of Abraham-Louis Breguet in a blue coat and white cravat

A Quarter in Advance

Breguet’s one-hand pocket watch simplified the machinery and changed how customers paid for it. A large dial, a repairable movement and a quarter of the price in advance formed the bargain.

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Title page of Odhner’s 1890 booklet, with an engraving of the complete calculator and the maker’s St. Petersburg address

One Turn Too Many

Willgodt Odhner promised reliable arithmetic in a small machine. His instructions reveal the turns, shifts and corrections that still belonged to the person holding the crank.

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Joseph-Marie Jacquard sits holding compasses beside a model loom and punched cards in a detailed woven workshop portrait.

A Name Below the Picture

A silk portrait of Joseph-Marie Jacquard was made to impress Paris. The work passed from painter to technical designer to weaver, but the names beneath the image did not tell the whole story.

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The Writer, a small seated figure in a red coat, holding a quill above a desk.

Forty Characters of Clockwork

In the 1770s, Jaquet-Droz’s mechanical boy could write a newly chosen message of up to forty characters. His makers were selling Swiss watchmaking, while giving a remarkably familiar vision of a writing assistant its human form.

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