VITENSKAP · MASKINER · OPPFINNELSER · DESIGN

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Long Room, Trinity College Dublin. Miljøfotografi fra 2022. Zairon / Wikimedia Commons

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Three elaborate lattice shells from the lower row of Plate 31 against a black background

The naturalist and his lithographer

Adolf Giltsch corrected the drawings, taught the students and put Haeckel’s organisms on lithographic stone. One tiny shell, named for a dead wife, shows how much could change on its way to a popular book.

Les historien
A long pale-blue sleeved waistcoat with pink and blue flowers and gold-coloured leaves woven around its opening, hem and pockets

Flowers for Mr Lekeux

Anna Maria Garthwaite’s 1747 waistcoat design told a Spitalfields weaver where to put flowers—and which metal threads to use. The surviving garment, her working books and a dress painted in Philadelphia reveal how much happened between watercolour and cloth.

Les historien
A mahogany chair with a carved ribbon back and flowered embroidered seat, beside part of its companion

Point Out the Number

Thomas Chippendale’s Director offered furniture makers a stock of designs they could alter. A pair of ribbon-back chairs, an Edinburgh maker’s bill and a dissatisfied customer show what happened between the printed page and the finished room.

Les historien
A green feathered mechanical bird stands above an open silver-gilt box, beside its raised enamel lid and open tobacco compartment

The Bird Goes Back In

The Bruguier family’s Swiss singing-bird boxes concealed a performance beneath a painted landscape. Bellows supplied the voice and shaped metal controlled the movements; behind the familiar maker’s name were two Charleses, a son-in-law and a woman who pinned musical cylinders.

Les historien
Glaisher and Coxwell on either side of the scientific instrument table in a balloon basket

The Table Across the Basket

James Glaisher arranged a laboratory across a balloon basket. On 5 September 1862, his instruments and his body began to fail at different speeds. Henry Coxwell had to bring them down—and the famous seven-mile height had to be worked out afterwards.

Les historien
Le Gentil’s small observatory on a raised brick vault beside a flagstaff at Pondicherry

Leaving Manila

Guillaume Le Gentil knew Manila had good observing weather. He left anyway. His voyage account explains the choice that took him to a ruined palace in Pondicherry for the transit of Venus—and records the observation made by the friend he left behind.

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